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  • Digital tools workshopsEfest: 2014 Edition
    November 10th, 2014

    PROCESSING workshop and New Media Art

    The workshop is aimed at artists – students and the curious who have a New Media practice.
    Speakers : Ali Tnani

    1 – Introduction to ‘Processing
    Processing basics: drawing, displaying, communicating, etc…
    Programming: variables, conditions, repeats, lists, methods, objects, comments.
    Objective: Explore the basics of the language and environment, using simplified examples.
    2 – Processing’ and new media art
    Context: New media art
    Objective: Explore some of Processing’s possibilities, to give an impetus to participants with programming and/or multimedia skills: use of Draw, libraries, examples.

    ABLETON LIVE’ introductory workshop

    This workshop is aimed at artists, students and anyone with an interest in music.
    Presenter : Skander Besbes

    1 – Introduction to Electronic Tools & Instruments
    Global history – Synthetizers (analog, digital, FM) – Sampling and Samplers – General operation and Analog Set-ups
    2 – Program and tool overview
    Ableton: Session interface VS arrangement interface – Virtual instruments – Audio Effects – MIDI Tools – Basic functions, Workflow & important keyboard shortcuts.
    3 – Advanced functions & sound design – Automations – Resampling – Sound design – Various techniques – Using plugins
    4 – Practical work
    Exercises in groups of two or three, depending on the total number of participants.
    Process of creating a song – rhythmic writing – harmonic writing – basic arrangement of a song – introduction to the basics of mixing.

    MAX FOR LIVE workshop « field recording as musical material ».

    This workshop is aimed at student-artists and those with an interest in music.
    Speakers : Nicolas Charbonnier and Intercal artists

    1 – Field Recording
    Field recording session in the city.
    2 – Introduction to Max for Live
    Synchronizing max and live, a few examples of how the two programs complement each other. (The morning’s field recordings will be used to illustrate the examples.
    3 – Discussion with the artists
    Practice and use of field recording in musical creation.

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